Jack Zink, longtime critic and cultural affairs reporter who covered the arts in South Florida from 1969 until illness forced him to step away from the work he loved, died Monday at age 61.
Among the many victims of the ongoing war in Iraq, as journalist-turned-playwright George Packer sees it, are the young Iraqis who risked everything to aid American forces. Packer's play Betrayed gets its regional premiere at GableStage on Saturday, with a powerful cast featuring Todd Allen Durkin, Antonio Amadeo, Todd Allen Durkin, Ceci Fernandez, John Manzelli, Bill Schwartz and Ricky Waugh. The provocative play runs through Sept. 14 at the Biltmore Hotel.
The gals in blue get their due in True Blue, a world premiere play by Marj O'Neill-Butler that debuts this weekend at the Women's Theatre Project. Pamela Roza, Patti Gardner, Angie Radosh, Laura Turnbull and Jacqueline Laggy play undercover cops whose lives and personal challenges are intertwined.
THEATER REVIEW
Miami Libre tries to be many things: a sexy Vegas revue, a classic musical with a love story, a feel-good immigrant-makes-good drama, a political and musicological screed on Cuba and Miami.
THEATER REVIEW
If a Samuel Beckett devotee were to create a piece for Cirque du Soleil -- which, depending on your view of Waiting for Godot, may not be utterly unimaginable -- the result might look a lot like Slava's Snowshow.
ON STAGE
Just as the XXIII International Hispanic Theatre Festival winds up its three-week run, another theater festival -- shorter, but more geographically expansive -- is about to begin.
THEATER REVIEW | LA CELESTINA
The XXIII International Hispanic Theatre Festival, built this year around a tribute to Spain, draws to a close this weekend with a disquieting, starkly beautiful production from the company run by festival founder Mario Ernesto Sánchez.
What: XXIII International Hispanic Theatre Festival Where: Carnival Studio Theater, Adrienne Arsht Center for the Performing Arts, 1300 Biscayne Blvd., Miami; Prometeo Theatre, Miami-Dade College Wolfson Campus, 300 NE Second Ave., Miami
Russian clown Slava Polunin, who aims to blow audiences away with Slava's Snowshow at Miami's Adrienne Arsht Center for the Performing Arts, experiences his own wintry blizzard as his Yellow Clown encounters one challenge after another. The popular show is in the Sanford and Dolores Ziff Ballet Opera House, 1300 Biscayne Blvd., through Aug. 17. Performances are 8 p.m. Thursday-Friday, 2 p.m. Saturday-Sunday (additional shows 8 p.m. this Tuesday and Wednesday). Tickets are $55. Call...
THEATER REVIEW
Laila Ripoll's El día más feliz de nuestra vida (The Happiest Day of Our Lives) examines the lives of triplet sisters at two meaningful points for the siblings and their country. Part of the ongoing tribute to Spain at the XXIII International Hispanic Theatre Festival, the play was presented in Spanish by the Alquibla Teatro of Murcia.
Remember Let It Snow? The vintage Jule Styne-Sammy Cahn tune conjures a wintry frozen world outside, a warmly cozy one inside. Slava's Snowshow, which will begin previews at the Adrienne Arsht Center for the Performing Arts on Thursday, flips that script.
That knowing laughter you'll hear through mid-August at Actors' Playhouse is coming from Baby Boomers who are going through the catharsis of seeing their lives onstage. Not their lives, precisely, but actors Margot Moreland, Wayne Steadman, Allan Baker, Maribeth Graham, Barry J. Tarallo and Lourelene Snedeker get close enough to universal truths that Mid Life! The Crisis Musical should seem very familiar to those between 40 and 60 -- or to anyone who loves them. The show runs through Aug. 10 at the...
THEATER REVIEW | LOS INTERESES CREADOS
Just over a century ago, Jacinto Benavente surprised audiences in Madrid with the premiere of Los intereses creados (The Bonds of Interest), a ''comedy of buffoons'' that pays homage to Italian Commedia dell'Arte and playwrights such as Carlo Goldoni, as a mocking satire of society at the time.
THEATER REVIEW | THE HATE U GAVE: THE TUPAC SHAKUR STORY
Tupac Shakur's 25 short years of life were a study in extremes. On the one hand, as a prodigiously talented teenager of modest means, he attended a performing arts high school and appeared in everything from Shakespeare to The Nutcracker. Though he dropped out of school, he was a voracious reader, a young man with wide-ranging intellectual curiosity and a poet.
The XXIII International Hispanic Theatre Festival is up and running through the end of July at the Carnival Studio Theater in the Adrienne Arsht Center for the Performing Arts, Prometeo's space on Miami Dade College's Wolfson campus and several other locations throughout Miami-Dade County.
In Claire Chafee's Why We Have a Body, Erynn Dalton, left, plays a private investigator whose specialty is catching cheating husbands. But her most ardent mission is to capture the attention and heart of Monica Garcia's Renee, right, a paleontologist who is, rather inconveniently, married. With its run extended to Aug. 9, the poetic and funny play is packing 'em in at the Sol Theatre Project, 1140 N. Flagler Dr., Fort Lauderdale. Performances are at 8 p.m. Thursday and Saturday, with tickets priced...
THEATER REVIEW
Claire Chafee's Why We Have a Body isn't a new play (it premiered at San Francisco's Magic Theatre in 1993), but as the new production by Fort Lauderdale's Sol Theatre Project so amply demonstrates, the laughs it generates are fresh and genuine.
THEATER
n the surface, slain rapper Tupac Shakur and the deeply alive actor Meshaun Labrone Arnold would seem to have little in common. Shakur's mother was a member of the Black Panthers when he was born in 1971, later becoming a crack addict and welfare mom as she struggled to raise her son. Arnold's father, Elder Frazier Arnold Jr., is pastor of Miami's Mt. Olive Primitive Baptist Church; his mother Ruby is the former director of a Head Start center.
When Mario Ernesto Sánchez thinks about putting together another International Hispanic Theatre Festival -- this year's edition is his 23rd -- he thinks back to the mule that hauled garbage to the town dump in the years before he left Cuba at 15 on a Pedro Pan flight.
Elizabeth Dimon is a fine actor and singer; Florence Foster Jenkins was not. But sometimes it takes a person of great talent to portray someone whose ''gifts'' were modest in the extreme. Dimon, above as Jenkins, will portray the delusional coloratura soprano in Souvenir, Stephen Temperley's play-with-music opening Saturday at Palm Beach Dramaworks, 322 Banyan Blvd., West Palm Beach. Tom Kenaston is featured as Jenkins' long-suffering accompanist. The show runs through Aug. 2, with performances at...
THEATER REVIEW
Those without a deep knowledge of the civil rights movement might not recognize the name Fannie Lou Hamer. The granddaughter of slaves, Hamer was both a leader and a soldier in the push for voting rights, a woman who inspired her fellow 1960s activists through both word and song.
THEATER REVIEW | PETE 'N' KEELY
Showbiz history is littered with the ghosts of partner acts that sizzled, then splintered. Think Dean Martin and Jerry Lewis, Robert Goulet and Carol Lawrence, Sonny and Cher.
Florida Stage turns musical in the summer, and this year's offering is, well, groovy. Dream a Little Dream, The Nearly True Story of the Mamas and the Papas, cowritten by original ''Papa'' Denny Doherty and Paul Ledoux, charts the success and disintegration of the famous 1960s folk-rock group. The actors playing the famous singers are, clockwise from left, Michael Sample as John Phillips, Alisa Schiff as Cass Elliot, Kyle Harris as the young Doherty and Christine Hope as Michelle Phillips; Stephen...
ARTS REVIEW
Celia Cruz was such an enthralling and beloved musical icon that it was natural to want to know more about her. But her very private life, whose great drama was being separated from Cuba, made her an elusive figure. What we got from Celia was music and energy.
In Conor McPherson's mysterious Shining City, grief mingles with hope as several residents of Dublin try to cope with shattered lives and the aftermath of death. Deborah L. Sherman and Ricky Waugh are featured, along with John Bixler and Gregg Weiner in GableStage's new production of the play, which opens Saturday and runs through July 20. Performances are 8 p.m. Thursday-Saturday, 2 and 7 p.m. Sunday at the theater's space in the Biltmore Hotel, 1200 Anastasia Ave., Coral Gables.
THEATER REVIEW
Edward Carr, new to being a widower, has always been a driven man. Raised in a series of foster homes, he forged a solid family. When he found his dream woman, he made her his own, even though she was 15 years older and inconveniently married to his boss. Science and statistics be damned, he revels in the pleasure he gets from the cigarettes he smokes during every waking hour.
TONY AWARDS
Tony winner-turned-View star Whoopi Goldberg hosted the Tony ceremony and CBS telecast from Manhattan's Radio City Music Hall. After the show's stirring start -- the thrilling Circle of Life animal procession from The Lion King -- Goldberg ambled out dressed as the crab from Disney's current-season critical flop, The Little Mermaid.
At the start of another scorching July day, the guy who runs the corner bodega perfumes the air with the scent of café con leche. Hip-hop begins percolating, too, one ingredient in a musical stew flavored with salsa, merengue, bachata, mambo, Reggaeton. Dominicans, Cubans and Puerto Ricans breathe to these beats, some getting ahead, others just getting by.
One man is a Broadway star whose parents fled Cuba, an actor who may well find that the third time as a Tony Award nominee will be the charm. Another is a producer with endless drive and a fondness for musicals that make people happy. The third, also the son of Cuban immigrants, is an orchestrator, arranger and musical director who has achieved Broadway acclaim despite a hearing loss that goes back to childhood.
The 62nd annual Tony Awards will be presented from 8 to 11 p.m. Sunday at New York's Radio City Music Hall and televised on WFOR-CBS 4. Miami Herald theater critic Christine Dolen's predicted winners are starred.
